DIGITAL MULTI-EFFECTS PROCESSOR AU100

SPECIFICATIONS:

* INPUT
 Type: RF filtered, servo-balanced input
 Input Impedance: 40K¦¸.Balanced
 Nominal Operating Level: -40dBVto 2dB
 Maximum Iutput Level: +20dB unbalanced
 CMRR: better than 40dB

*OUTPUT
 Type: DC-decoupled balanced output stage
 Output Impedance: 40¦¸.Balanced
 Maximum Output Level: +20dB unbalanced
 Bandwidth: 10Hz-50KHz,+0,-1dB
 THD@+4dB:
 0.005% typ.(all controls set to minimum)
 IMD (Smpte) @+10dB: 0.01% type.
 Noised & Hum,unity gain
 -94dB (all controls set to minimum)
 Cross talk @ 20KHz: better than-83.dB

* MONO BASS OUTPUT
 Type: DC-decoupled balanced output stage
 Output Impedance: 40¦¸.Balanced
 Maximum Output Level: +20dB unbalanced
 Bandwidth: 10Hz-50KHz,+0,-1dB

 THD@+4dB:
 0.005% type.(all controls set to minimum)
 IMD (Smpte) @+10dB: 0.01% type.
 Noise & Hum,unity gain
 -94dB (all controls set to minimum)

* LOW BAND PROCESSOR
  Shift switch: switchable from 50Hz to100Hz
  Low Mix control: variable from OFF to Max

* HIGH BAND PROCESSOR
  Type: High Band Processor
  Turn control: variable from 1 to 8 KHz
  Process control:
  variable form ¡°CLASSIC¡±to POP
  High Mix control:  variable from OFF to Max

* MONO LOW-FREQUENCY
  SIGNAL PROCESSOR
  Type: Mono LFP rocessor
  Phase switch: switchable from 0¡ãto180¡ã
  X' Over Frequency control:
  variable from 100 to 250Hz
  Output control: variable from -¡Þ to +12dB
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FEATURES:
* Sound enhancement system such as enhancers, exciters. Psycho-acoustic processors etc. have
  become an Indispensale aid in the studio and have found widespread application in almost all film,
  broadcast and recording productions as well as in P.A. and sound reinforcement systems.
* Since their introduction. psycho-acoustic processors have gained immense popularity. Basically.
  several principles of sound enhancement prevail in today Market,the sound improving effect
  produced by the enhancer is based on program dependent,phase shifting with the goal of
  enlarging the pulse width,  whereas psycho-dynamic processors use a dynamic frequency
  correction of the program material and therefore enrich the program material with high frequency
  processing.
* On conventional  units is often the case, that they may work perfectly on pop music, but when on
  processing acoustic instruments, the result is aggressive an unnatural.
* Enhancers are preferable for processing classical music and acoustic instruments. The result is
  a "softer" unobteusive transparency and an increased richness in sound. (However, makes a pop
  recording more "aggressive".) To set up a sound system for maximum intelligibility or to give a rhythm
  bass guitar the necessary  "punch", it is recommended to process the high frequency range.